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He first published an engraving of "The Small Masquerade Ticket, or Burlington Gate," in ridicule of Lord Burlington's architecture, and of Pope's eulogiums on Burlington and satire of the Duke of Chandos. He illustrated "Hudibras," and produced a satirical plate, "The Taste of the Times," in 1724; and, some years after, "The Midnight Conversation" and "Southwark Fair." Not content with the fame which this vein, so peculiarly his own, was bringing him, he had the ambition to attempt the historical style, but this was a decided failure. In 1734, however, he came out in his full and peculiar strength in "The Harlot's Progress." The melancholy truth of this startling drama, mingled with touches of genuine humour, seized at once on the minds of all classes. It became at once immensely popular; it was put on the stage, and twelve hundred subscriptions for the engravings produced a rich harvest of profit. In the following year he produced "The Rake's Progress," which, though equally clever, had not the same recommendation of novelty. In 1744 he offered for sale the original paintings of these subjects, as well as "The Four Times of the Day," and "The Strolling Actresses Dressing in a Barn;" but here he felt the effects of the sturdy English expression of his sentiments on art, and his distributing of an engraving of "The Battle of the Pictures," as a ticket of admission, gave great offence to painters and their patrons. The whole sum received was only four hundred and twenty-seven pounds. Undaunted by his self-injuring avowal of his opinions, he offered in 1750 the pictures of "Marriage �� la Mode" for sale, but put forth an advertisement in such caustic terms, as he reflected on the result of his former auction, that he effectually kept away purchasers, and obtained only a hundred and twenty pounds for what Mr. Angerstein afterwards gave a thousand pounds for. His "March to Finchley" being sent for the royal inspection, so impressed George II. with the idea that it was a caricature of his Guards, that, though the engraving of it was dedicated to him, he ordered the picture out of his sight, with expressions of great indignation. Hogarth quietly substituted the name of the King of Prussia in the dedication, as "an encourager of the arts."

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CHAPTER XVI THE ��BAIT�� VANISHES��A very fine thing, Dick.�� Miss Serena smiled gently. ��Now you had better go and lie down, and I��ll have the maid bring up some hot cocoa and something for you to eat.��

ONE:Taylor realized from the Benedict's greater knowledge that it was asking a great deal, but still not[Pg 252] too much. He assured Cairness that she should be cared for.

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ONE:After he had gone, Landor turned to Brewster once more. "Are all the bids in the safe again?"The time for the last grand conflict for the recovery of their forfeited throne in Great Britain by the Stuarts was come. The Pretender had grown old and cautious, but the young prince, Charles Edward, who had been permitted by his father, and encouraged by France, to attempt this great object in 1744, had not at all abated his enthusiasm for it, though Providence had appeared to fight against him, and France, after the failure of Dunkirk, had seemed to abandon the design altogether. When he received the news of the battle of Fontenoy he was at the Chateau de Navarre, near Evreux, the seat of his attached friend, the young Duke de Bouillon. He wrote to Murray of Broughton to announce his determination to attempt the enterprise at all hazards. He had been assured by Murray himself that his friends in Scotland discountenanced any rising unless six thousand men and ten thousand stand of arms could be brought over; and that, without these, they would not even engage to join him. The announcement, therefore, that he was coming threw the friends of the old dynasty in Scotland into the greatest alarm. All but the Duke of Perth condemned the enterprise in the strongest terms, and wrote letters to induce him to postpone his voyage. But these remonstrances arrived too late; if, indeed, they would have had any effect had they reached him earlier. Charles Edward had lost no time in making his preparations.

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ONE:This point settled, the preliminaries of peace were signed at Fontainebleau on the 3rd of November. To console Spain for her losses by her unlucky alliance with France, Louis XV. ceded Louisiana to that country by a private convention.

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ONE:

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THREE:

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THREE:By a common impulse of curiosity they stooped and went in. Sandy, his own impulse following theirs, was inside almost as quickly.

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THREE:

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THREE:��Sound common sense,�� commented Miss Serena. ��But if you ask��

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ONE:��Somebody��s knocking,�� Dick gasped.We have seen how, in accordance with this view, each principle is perfected by looking back on its source.491 Thus330 the activity of the world-soul, so far as it is exercised for the benefit of what comes after and falls beneath her, is an anomaly only to be accounted for by her inferior place in the system of graduated descent; or else by the utter impotence of Matter, which is incapable of raising itself into Form by a spontaneous act of reflection, and can only passively receive the images transmitted to it from above, without being able to retain even these for any time. Nay, here also, what looks like creative energy admits of being assimilated more or less closely to an exercise of idealising thought. It is really for her own sake that the Soul fills what lies beyond her with life and light, not, like Plato��s Soul, from pure disinterested joy in the communication and diffusion of good. It is because she recoils with horror from darkness and nonentity that she shapes the formless substance into a residence for herself, on the model of the imperial palace whence she came. Thus the functions of sensation, nutrition, and reproduction are to be regarded as so many modes of contemplation. In the first, the Soul dwells on the material images which already exist; in the second and third, she strives to perpetuate and multiply them still further. And the danger is that she may become so enthralled by her own creation as to forget the divine original after which it is formed.492 Should she yield to the snare, successive transmigrations will sink her lower and lower into the depths of animalism and material darkness. To avoid this degradation, to energise with the better part of our nature, is to be good. And with the distinction between good and evil, we pass from the metaphysical to the ethical portion of the system.

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THREE:Notwithstanding the constant wars of this time, British shipping, commerce, colonies, and manufactures made considerable progress. At the commencement of this period the amount of shipping employed in our commerce was altogether 244,788 tons, being 144,264 tons English, and 100,524 foreign; in 1701 the amount of shipping employed was 337,328 tons, of which alone 293,703 were English. In 1702, the end of William's reign, the number of English mercantile vessels was about 3,281, employing 27,196 seamen. The royal navy, at the end of William's reign, amounted to about 159,000 tons, employing some 50,000 sailors, so that the seamen of England must have amounted at that period to nearly 80,000.

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ONE:��Somebody��s on the wing��he��s jumping clear!�� shouted Dick.

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ONE:

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THREE:But even the most perfect mastery of Greek would not284 have made Plotinus a successful writer. We are told that before taking up the pen he had thoroughly thought out his whole subject; but this is not the impression produced by a perusal of the Enneads. On the contrary, he seems to be thinking as he goes along, and to be continually beset by difficulties which he has not foreseen. The frequent and disorderly interruptions by which his lectures were at one time disturbed seem to have made their way into his solitary meditations, breaking or tangling the thread of systematic exposition at every turn. Irrelevant questions are constantly intruding themselves, to be met by equally irrelevant answers. The first mode of expressing an idea is frequently withdrawn, and another put in its place, which is, in most cases, the less intelligible of the two; while, as a general rule, when we want to know what a thing is, Plotinus informs us with indefatigable prolixity what it is not.He could not see out through the opening because he was almost in a straight line with the wall on that side.